Guerrilla Marketing Via Lederhosen

By | November 22, 2011

I’m getting a bit cheesed off with all the advertising/sponsorship shenanigans at the World Cup, and I’m not even there. The idea that you can only buy tickets using the sponsor’s credit card, that food like McDonalds and drink like Coke can somehow be an official partner of a sport, all seem to indicate a world gone mad, but all that is eclipsed by the fact that you can’t enter a stadium wearing a rival sponsor’s attire: Hundreds of — one report suggested more than 1,000 — Dutch fans had to watch the Ivory Coast game in their underwear after stewards ordered them to remove their orange lederhosen.

The story, as far as I can work out, goes like this. The idea is the brainchild of a Dutch brewery called  Grossbrauerei, which produce a beer called Bavaria. The brand marketing manager is one Peer Swinkels (“Bavaria is beer with guts, for men with guts”), who has launched several elaborate ploys to market the beer. One involves, er, sponsoring a motor racing event, along with a “Burning Rubber” Gala Night. (Event organiser: “We assure you that the name of this gala night is not a joke”). Another involved relaunching the career of Albert West, a slightly over the hill Dutch singer in towns with the word “West” in its name — Amsterdam West, Rotterdam West, Utrecht West, Leiden West, Hengelo West, etc: (“This sort of subtle humour is always combined with down-to-earth realism in the Bavaria-campaign. Albert liked the idea. He can laugh at himself. That is what makes Albert such a nice guy.”)

You had to be there, I guess.

Anyway, the lederhosen. This is an inspired idea and goes to the heart of some already controversial sponsorship over the most important item at the Cup: the beer.  The lederhosen, you see, sported the name of Dutch brewery Bavaria, which is not the official beer of the World Cup. (Anheuser Busch’s Budweiser is the official beer.) The lederhosen are orange, carry the regulation braces, as well as a tail. They come free with a 12–pack of Bavaria, and have become something of a cult item among Dutch fans, who wear orange from birth, although there are reports that they are just being handed out for free too:

Leeuwenhose

Briliiant. You get your product into the stadium and onto the world’s television without having to pay a dime. As a marketing ploy they are somewhat less subtle than the use of an aging Dutch rock star but they do deserve some credit: taking the mickey out of those German beerfests, selling a beer called Bavaria, right in the heart of Germany. And, to boot, embarrassing the U.S. beer partner Budweiser, who like other sponsors paid between $45 and $50 million for the privilege of having only their brand on display. In fact, Bavaria has already been making trouble: Heineken, the official sponsor of the Dutch national team, ordered fans to leave their lederhosen outside the ground at a friendly game against Cameroon. (A Dutch court has since ruled that fans should be allowed to wear the trousers, apparently, although this won’t wash in Germany.)

This explains why stewards are ordering fans to strip. FIFA spokesman Markus Siegler: “Of course, FIFA has no right to tell an individual fan what to wear at a match, but if thousands of people all turn up wearing the same thing to market a product and to be seen on TV screens then of course we would stop it.” The issue might be particularly sensitive because Anheuser Busch has its own problems, being forced by longstanding trademark issues to settle for merely Bud brand (not the full Budweiser brand, which is in dispute in Germany) in return for allowing local brewer Bitburger to sell its beer in unbranded cups outside the grounds.

Peer, of course, sounds suitably outraged but must be loving it. Officially, this kind of activity is appalling and the offline equivalent of subdomain spam, but so much more imaginative. At the same time it raises lots of interesting dinner party discussions about the rights of the individual against the rights of a sponsor (if I chose to wear those pants and wasn’t paid to do so, then does it constitute advertising, and should I not be allowed to wear what I choose so long as it does not appear to be a deliberate effort to advertise?); what constitutes a group, whether orange is an acceptable colour for a national soccer team, and whether people should even be allowed to wear lederhosen. T

Here Comes the Blog Flood

By | November 22, 2011

The power of the history of the Internet? So much feels disposable about the Internet, and blogs haven’t helped. Postings more than a few days old feel like ancient history, and yet at the same time they sit there, a snapshot of a point of view the author can barely remember ever having. Comments added by anyone stumbling along more than a few hours or days later look like stragglers, people who turned up on the wrong day for a party and could do little more than leave their calling card.

But here was a site that struck me differently. It’s just a collection of comments on Peter Gabriel’s ‘Here Comes The Flood’ (one of his best numbers). It’s not a blog, or a web page past its expiry date, although it should be the latter: It was set up in 1994 by a German programmer called Brigitte Jellinek. The last comment attached to the page on Flood is less than a month ago. The first was in February 1996. Amazing, really; more than a decade of simple, sometimes moving thoughts on one timeless song. As Ms Jellinek herself observes on the homepage:

In December 1994 I set up this page to give people on the Web the chance to share what P[eter] G[abriel’]s songs mean to them. I didn’t expect much – from my previous experience with guestbooks I was prepared for idle chit chat and childish remarks. Well, you all proved me wrong. Every time I read some of the comments I am amazed about the quality of the contributions.

There can’t be that many sites from 1994 still so active, so alive (and someone taking such effort to preserve one). Credit to Ms. Jellinek.

Perhaps some blogs have this timelessness too, but the reverse chronological nature of blogs, their emphasis on a log, a journal, and time, perhaps work against this. Posts are time sensitive, more transient, and stumblers on an old post are likely to see their voices lost in the relentless forward march. That’s what makes the Flood page so remarkable — about a song that was originally performed in 1977, if I’m not mistaken — in that the comments may span more than a decade, and yet all share the same address, the same timelessness. A lesson, perhaps, for the design and future of blogs.

Netscape Diggs In and Elbows Out the Competition

By | November 22, 2011

AOL/Netscape has launched a beta of its new homepage that looks uncannily like Digg, a hugely popular site for techies to publish stuff and have their stories sorted by popularity. Actually it not only looks like Digg, two of the top three stories are Digg’s. AOL’s been smart tho: visit the source page and you can only do so within a big black sidebar that keeps you wedged inside the Netscape site. (You can’t resize it, but you can turn it off, but obviously by default. Meaning it will open with every external link you click on. Oh, and it’s really slow to load.)

Perhaps by coincidence, or by the efforts of a few Diggers, those two Digg stories are less than complimentary about AOL: The first, AOL Copies Digg (“Check out what this is based on”) and the second  Trying to cancel AOL (“Here’s a recording I did of a conversation between myself and AOL while trying to cancel an account I no longer needed. It was old, and I hadn’t used it in a REALLY long time, I just never got around to cancelling it. Enjoy!”)

A piece by Reuters says that this new site has “editors, which Netscape calls anchors,” who “can choose to highlight what they consider important stories.” This might be the top portion of the page, but I assume the anchors are not highlighting the two stories mentioned above. Or maybe they are, in some wild new form of self-flagellating transparency?

I won’t get into the journalistic implications of all this here. But there’s a telling comment by Netscape.com’s new general manager, dot-com news entrepreneur Jason Calacanis, to the Reuters reporter: “We don’t have to do a level of journalism that you guys do,” he said, referring to traditional news organizations. “You guys take it 90 yards, we take it the next 10.”

The reporter didn’t pick up on this. But when sites like this basically suck content from other sites, from NYT to Digg to Reuters, to form the basis of their homepage, and then link to that content within a sidebar that squeezes the original website partly out of view and off the screen plaster, that 10 yards looks mighty cheap for the yardage you get. Whose content is it now? Who’s making money off whom? And who is the smartest person in the room?

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Boingling Along

By | November 22, 2011

Another social annotation tool, this time called Boingle, put together by Greg Martin, who writes:

Boingle is a stripped down social annotation system that lets you annotate within web pages with the result being a simple markup (“Boingles (2)”) that looks as though it belongs in the page, much as a link titled “Comments (4)” looks normal within a blog. It is very understated in nature, and lets the annotation content itself be the star.

Social annotation, in case you’ve not done it, is a method to leave comments (annotations) on web pages so others can see them when they visit. It’s mildly popular, though of course only starts working when a critical mass develops of people using the same tool.

Boingle is a toolbar for Firefox and IE, allowing you to add comments (Boingles) by selecting portions of a webpage and then typing in comments (no need for an account; just enter your name, or anyone else’s).

I agree Boingle is understated, which is good, but not being able to see what the comments are on the actual web-page reduces its effectiveness, I suspect. Clicking on the ‘Boingles (2)’ link will open another browser window, which surfers may feel is one browser window more than they need. The other problem, I suspect is that perhaps the ‘Boingles’ links are too understated, sometimes not really being visible to anyone who isn’t looking hard for them.

I think I’d rather see the Boingles appear either as a pop-up or in the browser sidebar. But there might be sound reasons why that may not work.Anyway, great to see people exploring this avenue again.

List of all the social annotation tools I can find here. Please let me know of more I’ve missed.

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A Chip off the Old Flock

By | November 22, 2011

Flock, which I wrote about a few months back, is now in public beta (meaning ordinary folks can use it without too much weeping). TechCrunch carries an interview with the folks behind it.

What’s so good about it? Well, it’s all about trying to build Web 2.0 into the browser, so the browser isn’t so much a browser as a tool to upload photos, blog, read RSS, that kind of thing. You can drag a photo and publish it, view photos across the top of the browser, search faster (the search box includes results that update as you type the word.)

I’m most interested in the blogging tool. And while it’s better, it sure ain’t perfect. I’d like to see a proper editor with all the features of an editor, including shortcuts (Control + k for inserting link seems to be a pretty well-defined standard, for example.) That said, it seems a tad more stable than BlogJet, for which one would have to pay money.

How does these guys make money? Mainly through selling the spots in the search box at the top right corner, I believe. Yahoo! seems to rule the roost at the moment, and it doesn’t seem possible to change that as the default without opening a separate preferences window, unless I’m missing something. I assume that extra step is deliberate, something most folks wouldn’t bother to do.

Anyway, another browser can’t be bad news. I’m not going to dump Firefox for now, but I think I’ll keep Flock a-flickering too for now.

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