The Digital Writing Podcast

By | November 22, 2011

Recently I wrote (WSJ.com; subscription only I’m afraid) and spoke (BBC World Service; podcast here) about digital writing — the still peripheral business of using a pen to write on paper, and then have that work digitally transferred to a computer, PDA or cellphone. (And then, optionally, have any writing converted to text your computer can use.)

It’s a much maligned, undercovered field. Every year or so a company comes out with a new product and there’s a smattering of articles. Then everyone forgets about it — usually including the people who bought and briefly used the product. I don’t know why this is; I suspect it’s because partly it’s still a bit tricky, in some cases, to use these products, and partly because everyone thinks digital writing is all about TabletPCs — i.e., bringing your laptop with you. It’s not; in fact, nearly all these solutions use paper and pen, which makes them truly portable. My only gripe: the pens, particularly those from Logitech (the io2) and Nokia (the SU-1B), use very basic biro-style ink which isn’t all that nice to write with. I’ve read some people have gotten around this by finding better cartridges and fitting them with tape, but I’ve not tried it.

Resetting a Dopod

By | November 22, 2011

I couldn’t find any of this information anywhere coherent or easy to locate, so here it is in one place. Of limited usefulness, I know, but this is a public service that gets me to heaven at some point.

Dopod 818 hard reset:

  • Press Camera button + Communication button (the one lower than volume switch). Keep holding them;
  • Use your stylus to hit the soft reset button. Keep holding the two buttons.
  • Screen will go black with the text “Press Send to restore to factory default, Other keys to quit”. Release the two side buttons
  • Hit the send button (the green phone button). Release.

Dopod 900 hard reset;

  • Press both “-“ buttons together and hold;
  • Press “reset” button with stylus, hold for at least 2 seconds;
  • Release reset button;
  • Screen will go white, and you’ll be asked to press 0 to reset, x to quit. You can release both “-“ buttons.
  • Press “0” (that’s zero) and release.

Dopod 577W

  • Go to Accessories folder.
  • Choose option Clear Storage
  • You’ll be asked to key in 1234 to confirm.
  • This will hard reset and restore to factory defaults

Neat machines, by the way.

Portability Over Quality: The MP3 Scam

By | November 22, 2011

I happen to be a new fan of Alva Noto, whose minimalist bleeps and hisses may not be everyone’s cup of tea. (My wife thinks we have mice.) Anyway, I’m also testing headphones so I’m sitting outside by the communal pool taking in his second album with Ryuichi Sakamoto (my hero; I once interviewed him in such a grovelling fashion I couldn’t bring myself to watch the recording of it afterwards. I think my toughest question was “What do you think makes you so talented?”) with a pair of Logitech noise-cancellers (I’d have to take them off to tell you which make, and I’m not going to do that.)

But all this reminded me of an interview I read recently between Alva Noto (real name: Carsten Nicolai) and Robin Rimbaud, in which they discussed, among other things, how music is listened to, and treated, differently in the age of MP3. Rimbaud, himself a performing artist, asks Nicolai about the influence of “mobile listening” on him and his audience:

I listen to music more in a mobile situation because there isn’t much time to just sit down and listen anymore. I now have this obsession for headphones, which is probably born from this way of listening! I have a set for every situation!

Kind of interesting, I reckon. Reduced time available, and technology, has made music much more of a mobile activity now. I personally love listening to music or speech when I’m walking, hiking or jogging because I love the subliminal associations the mind makes between what one sees and what one is hearing. Views become associated with songs, or ideas expressed, with whatever you were listening to when you saw that view for the first time.

But there is a downside: Do we ever sit still and listen to music? Do we ever give it our full attention? Worse, perhaps, is that fact that the emphasis on portability has reduced the emphasis on quality — when was the last time sometime stressed the quality of a music device over its storage? As Rimbaud points out:

For digital cameras we are sold a machine that exploits quality — it’s sold on the strength of how many mega pixels each camera offers, whereas with MP3 players it’s never on the actual quality of the music but the quantity.

Nicolai agrees:

I think this shows a problem for our time — compression has taken over the quality in sound. Transmitting and distribution of the sound file is more important than the quality and I wonder if next year the industry will pick up on this and tell us “listen, last year you bought compressed audio, now you need to buy the real thing”. We’ve already re-bought our LPs as CDs, then as digital versions. Now quality will come back as a marketing strategy.

Could be. Perhaps as storage becomes meaningless — when your iPod can store your music collection many times over –  we’ll be told that 128 kbps is not enough and we need to buy all our MP3 files all over again. And so the circus continues.

Playing the Software Pirates at Their Own Game

By | November 22, 2011

In the last post I prattled on about how Microsoft et al didn’t get it when it comes to dealing with piracy. So what should they do?

I don’t know what the answer is, but I’d like to see a more creative approach. After all, these pirates have an extraordinary delivery mechanism that is much more efficient than anything else I’ve seen. Why not try an experiment whereby a user who buys counterfeit software, either knowingly or unknowingly, has six months’ grace period in which to ‘activate’ a legitimate version? This could be done online by a key download and a credit card. No big software downloads — prohibitive in a country where Internet speeds are glacial — and no shipping (time-consuming, and often not possible from most suppliers). Instead, a downloaded widget would scour the program the user wants to ‘activate’, check its version and integrity (I’m not talking values here, I’m talking software) and install whatever patches are necessary (hopefully done without need for a full upload.) After that, the software is legit.

Software vendors would argue that this encourages piracy. I would argue: if the user can’t buy a legitimate version of your software in the country they live in, either online or offline, should they just not use your software? Or

Secondly, I would argue that this approach is not far removed from the shareware try-before-you-buy approach whereby users get to play with software for free for 30 days or so before buying. Of course, if they want to, the user could just not pay and continue using the software. But I suspect that they weren’t the kind of customer who was going to pay anyway, so you can hardly count them as lost business.

Lastly, it may be possible to use this approach to disrupt the economics of the pirate software network by embracing the shareware model. Instead of restricting distribution of your product, you flood the market with shareware versions of your software, allowing users a grace period in which to try out the software. If users can find trial copie of OneNote or PhotoShop or whatever free in every computer shop they visit, why would they bother buying a dodgy pirate copy that may or may not work? Sure, the free version needs paying for at some point, but that’s the point. The piracy market exists in part because people don’t have access to legitimate software — certainly not the range of legitimate software — in these places.

OK, that’s not always true. There will always be pirates, and there will always be people who buy from pirates, even if the legitimate software is available next door. But I suspect a lot of people who buy pirate software buy it to experiment, to try out software. Indeed, someone living in a place like Indonesia is likely to be familiar with many more software programs than someone living in a non-pirate-infested country. It’s not that these people want this software desperately, nor that they would buy it all full price if they had to. They buy it because the price is so low, they may as well buy it and try it. Do they keep it installed? In most cases, probably not. But the calculation for Microsoft et al should be: How many of these people would buy this software if, after trying it, they liked it?

Finding the answer to that question will give you an idea of the real losses Microsoft and co are incurring in lost business. It should also make them realise that not doing a decent job of making their software readily available in a place like Indonesia — at a price that reflects the purchasing power of the local consumer — is creating this highly efficient, but highly parasitical economy in pirated software. If they can reach their customers through that economy, or bypass it with widely available shareware versions of their programs — then they may stand a chance.