The Death of Writing
James Fallows points out that not everybody back in 1980 believed the computer would replace the typewriter as a writing implement, and that his prediction that the device would be useful incurred the wrath of, among others, the late David Halberstam. James offered to write some articles on a computer, some on a typewriter, and offer a prize to anyone who could tell the difference. No-one took him up.
I recall Bruce Chatwin saying that he could always tell which books had been written on a word processor and which hadn’t. And, funnily enough, I disagree with James’ assertion that:
As is obvious to everyone now, but as was not obvious to most people then, the “sound” of people’s writing is overwhelmingly their own sound, not that of the ThinkPad or the quill pen or the Number 2 pencil or even, gasp, the Macintosh.
I don’t think the ‘sound’ is the issue. The real difference between the two technologies is that a computer transfers some of the creating process from the head to its RAM. Anyone who has written on a typewriter will know that it’s less painful to compose before committing anything to the page, since the price of correction is so high. So the words, once they come out are much more likely to be the final words one uses. Computers meanwhile, allow indefinite revision, so the composition process takes place on the screen.
I’m not saying one is better, although I think I probably wrote better when I had a typewriter. I used to take more care over my words; I definitely wrote less, too, which has to have been a good thing. When I joined the BBC in 1987, we only had manual typewriters, and my colleagues looked down their nose at my Canon Typestar, which allowed me to compose a line in the tiny LCD before committing it to the paper. In retrospect, I think they were right: My writing went downhill from then on.