I was always hopeless at hearing song lyrics correctly, and listening back to some of those old numbers again recently, I realised that I’m not alone. Take, for example, Manfred Mann’s Earth Band version of Blinded By The Light. A classic song, but what is the line after Blinded By The Light?
I figured the Internet would tell me, and it did, sort of. It’s actually ‘revved up like a deuce, another runner in the night’ according to this authoritative-sounding website. Or ‘Wrapped up like a deuce, another runner in the night’, depending on whether you’re talking about the Bruce Springsteen original or the MMEB cover. So there you go. The Internet solves another mystery.
Well, not quite. I always thought the line was ‘wrap up like a bloosher’, without ever really getting around to find out what a bloosher was (something to do with the Battle of Waterloo, I reckoned). But the Internet reveals that everyone had their own intepretation. There’s a list here of what they did think it was — I counted about 70 different interpretations. Here are my favourites:
- held up like a loofer by the foreman of the night;
- rabbit in a lot of juice, like a donut in the night;
- wrapped up like a douche, a bad odor in the night
Etc… The human ear and brain combo is a fascinating instrument. Check out the rest of Kiss This Guy. It’s not new, but it’s updated, and it’s hilarious.
More mail about online piracy and the music industry. I wrote earlier
I agree with you about people being upset, but I’m not so sure about the recording off the radio bit. Digital versions don’t have DJs interrupting before the end of the song, and they’re perfect copies, and can be copied perfectly and distributed easily. I can give you my whole music collection on a CD or two. That makes it a different ballgame…
Here’s Lynn Dimick again:
That’s true. The question I have is this: Is music swapping costing the industry money? Now, on the surface anytime you have a product being given away for free it is going to take away from sales. But, if the product is being given to a consumer who cannot or will not buy it, even if it cost $1 then there is no lost sale. My suspicion is that the music industry is producing music that is appealing to those who have less money and less inclination to spend than before. Even if music sharing were not available they would not be buying CDs.
I am 43. I have well over 200 CDs in my collection that I have bought. But I haven’t bought a CD in the past 3 years. Why? Because they (the music industry) are not producing a product that I listen to. The demographics that I belong to (white male 40+) has more money than any other age group, especially the teenagers that seem to be doing all of the sharing.
I heard on the news this morning that Bruce Springsteen had a concert last night at the Meadowlands in New Jersey. 55,000 people came to see the show. He has 9 more dates there. Most of those attending are going to be my age and not teenagers. Who has the money and who is being ignored by the music industry?
Thanks for that. Thoughts, anyone? A friend recently forwarded me a piece from The Guardian on this very topic. My view is that the music world has splintered so effectively, hastened by the advent of the Net, that it makes it so much harder nowadays to find the music we want. There’s some very appealing stuff out there — my favourite of the moment is Lemongrass, for example — but you’re not going to find them in a CD shop. In a way this diversity is good but us busy folks (I’m no spring chicken either) don’t have the time or energy to look too hard for this kind of thing. I’ve found a sanctuary of sorts in Emusic where at least one can experiment legally without blowing a hole in the housekeeping.